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Translation — Dawit is a visual artist working at the intersection of film and photography.
A Chill Guy
"Bro I have been trying to find this 'pool hopping music video' for a while now. Good thing I found it or else it would have bugged me for the rest of my life."
@nicotinecruz
The One Who Gave Me a Chance at My Favorite Museum
"Can't wait until we (re)open your show at the Chrysler Museum of Arts and everyone can explore the relationship between your magical stills and films up close."
@sethfeman
Creative. Empty nester. Adoptee. Wannabe music curator/DJ with a passion for words, art, and freedom of expression.
"I don't think I can watch this enough times. I love everything about it. The story. The feeling it leaves with me. I watched when it was released and many times since then. I wish it were longer, yet it's more than enough. Thank you for such a contribution in the midst of constant mess."
@ellerdoodles
An Amazing Photographer
"UMMMM"
@heathersten
Dawit has a sharp sense for visual storytelling,most likely due to almost losing his eyesight as a kid. Services include:
From capturing a woman fleeing terror to striking portraits of celebrities and serene shots of clouds. Services include:
Sometimes it’s not you—it’s the idea. Dawit helps fix that, and sometimes, he helps fix you too. Services include:
The final step before the world sees your work, don’t risk regret. Partner with Dawit’s post studio, ABABA. Services include:
Don’t find what you are looking for? Contact Me.
Represented by Caviar
West Coast Rep — Red Rep
Mid West Rep — Rowley Samuel
East Coast Rep — Uncle Lefty
Represented by Caviar
— Managing EP | Sorcha Shepherd
— EP | Nisha Mullea
For photo and image licensing inquiries — studio@dawit.co
Only available for New York & Addis Ababa clients — studio@dawit.co
Ababa Studios, a full-service post production studio catered towards social first content.
— Executive Producer | Amen Adane
What does your workflow look like?
01
My workflow is deeply influenced by the teachings of the incredible illustrator Cherilyn Colbert, whom I had the privilege of calling my professor at ODU. It’s a consistent approach I apply to every medium I work in, and while the process itself is simple, the challenge lies in maintaining the discipline to follow it. The process is both structured and adaptable, capable of supporting any creative project. Some steps might take two days, others two years—it all depends on the schedule and the instinct that tells you when it’s truly complete. For the record, you always know when it’s done. If you’re left unfulfilled, it’s usually because you either stopped too soon or kept going past the point of completion.
What is your philosophy when it comes to your work?
02
I believe an artist’s role is to tell human stories, not to judge them. Regardless of my personal views, it’s my responsibility as an artist to leave those beliefs at the studio door and see the world through an impartial lens. Who am I to say you’re wrong? And more importantly, who am I to say you’re right?
What are your thoughts on the future?
03
I believe the industry is evolving toward its true purpose—telling authentic human stories. My hope is to contribute to that evolution and help it fully realize its potential.
What are your thoughts on editing?
04
Most of today’s celebrated directors owe their shine to their editors. Editors are the unsung heroes, the last line of defense against mediocrity. Without their skill, emotional depth, and stoic dedication, this industry would’ve collapsed long ago. I began my career as an editor and will likely finish it the same way. Editing taught me how to be an efficient director and remains my way of helping others become better filmmakers.
What scares you the most?
05
Not being able to fulfill my duties.
